Despite the
straightforward language and simple sentence structure in The Stranger, the actual content is complex, forcing the reader to
reconcile contradicting emotions. One such emotional paradox is how the reader
should feel about Salamano and his dog. Initially, the relationship between the
two seems familial; Meursault describes how “[t]he two of them have been
inseparable for eight years” (Camus 26). The expectation is that they have a
tight bond and that Salamano loves his dog. When Meursault describes their
daily walks, however, the relationship seems quite different. Salamano beats
and swears at his dog if he goes too fast, and drags him along if he is too
slow. Every day, “they both stand there on the sidewalk and stare at each
other, the dog in terror, the man in hatred” (27). The reader feels indignant
about the abuse the poor dog is subjected too. Many people would wish for the
dog to get away from him somehow. However, when he does, Salamano sincerely
fears for his safety and wants to get him back. He approaches Meursault,
asking, “They’re not going to take him away from me, are they, Monsieur
Meursault? They’ll give him back to me. Otherwise what’s going to happen to me?”
(39). Salamano seems to genuinely care for his dog. However, the reader now
faces a conflict: should Salamano get his dog back, just so he can abuse him
once more? As the reader struggles, Meursault does not share any emotion. He
notes the impressions of those around him, yet he does not offer his own opinion.
Salamano is not the only character who approaches Meursault with problems in
his personal life. If Meursault does not actually have emotion, he must at
least express some form of understanding to those people that makes them decide
to share their troubles with him. Camus’s narrative style prevents the reader
from knowing Meursault’s true feelings, so the reader must constantly judge
other characters without his input.
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