Before
Othello kills Desdemona, he sees her sleeping and must mentally prepare himself
for the murder. He repeats to himself, “It is the cause, it is the cause”
(5.2.1). The repetition hints at Othello’s uncertainty. He knows that he must
kill Desdemona in order to stop her unfaithful actions, and he is determined to
keep this “cause” in mind so that he will follow through with murder. Othello
must focus on her supposed infidelity because everything else about Desdemona
is perfect. By starting the monologue with a reminder of the cause, Othello
establishes that the only reason for murdering Desdemona is her infidelity.
This view of Desdemona will color the way he looks at her for the rest of the
monologue; he must make himself see her as unfaithful. As much as Othello tries
to hate Desdemona, he cannot ignore her beauty. He decides not to “shed her
blood, / Nor scar that whiter skin of hers than snow” (5.2.3-4). Othello cannot
bear to mar Desdemona’s outward image of purity even in her death. This
decision can be interpreted in multiple ways. If Othello were particularly
vindictive, he may leave Desdemona’s outward appearance intact so that she
would forever remain deceptively pure on the outside with evil in her core.
However, perhaps Othello cannot bear to destroy her body because he is still in
love with Desdemona, and although he must kill her, he still wants to preserve
her beauty. Indeed, Desdemona’s beauty has a profound effect upon Othello. Looking
at Desdemona, Othello says, “O balmy breath, that dost almost persuade /
Justice to break her sword!” (5.2.17-8). Just seeing Desdemona wavers Othello’s
resolve because she appears so sweet and innocent. Othello obviously does not
want to murder Desdemona, and the only reason keeping him on track is the
knowledge of her infidelity. He comments, “So sweet was ne’er so fatal”
(5.2.22). Othello is still trying to reconcile Desdemona’s supposed actions with
the purity of her appearance. In order to murder her, Othello must completely
believe the lies he has heard about her. Comparing Desdemona to the light he
carries, Othello says, “But once I put out thy light, / Thou cunning’st pattern
of excelling nature, / I know not where is that Promethean heat / That can thy
light relume” (5.2.10-13). Unlike a candle that can be relit, Desdemona cannot
come back to life after Othello murders her. Othello recognizes the finality of
his action, so he makes sure to fully convince himself that this is the correct
course of action. Othello uses many conjunctions and commas to break up the
sentences in his monologue, establishing a logical flow of ideas that convince
him to keep on his course of action. Othello believes that he must kill Desdemona,
and he will follow through with his choice.
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